Vlog

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Vlog

Last updated

31 July 2026

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A fully sequenced, exam-targeted 25-lesson A-Level scheme of work on all fifteen poems in the AQA Post-1900 Love Poetry Anthology, built for AQA English Literature A (7712), Paper 1: Love Through the Ages, Section C: Comparing Texts. Unlike a scheme tied to one fixed prose pairing, this unit teaches deep, secure single-poem knowledge first, then builds transferable thematic clusters and comparative skills that work with whichever prose text your department or student has studied.

What’s Included
  • Lessons 1 to 5: Foundations and the first five poems. The task and the AOs, an overview of all fifteen poems, then close study of Millay, Frost, Mew and Jennings
  • Lessons 6 to 10: Poems six to ten. MacNeice, Sexton, both Larkin poems (“Wild Oats” and “Talking in Bed”), and Heaney’s “Punishment” (handled with appropriate care)
  • Lessons 11 to 15: Poems eleven to fifteen. Douglas, Harrison, Duffy, Muldoon, and a combined lesson on Symmons Roberts and Cope, completing full-anthology knowledge
  • Lessons 16 to 20: Thematic synthesis across the anthology. Five thematic clusters built in turn: desire, loss and grief, marriage, selfhood and independence, and tradition and form
  • Lessons 21 to 25: Transferable comparison, exam technique and assessment. Comparing poetry with any prose partner, form and scale as a comparative tool, exam technique masterclass, final assessment preparation, final assessment and reflection

Five companion Word documents:

  • Medium Term Plan (landscape): full 25-lesson table with objectives, sequenced Rosenshine activities, outcomes and the dominant AOs per lesson, plus accurate notes on Section C’s AO weighting and the deliberately flexible, prose-pairing-agnostic design
  • Knowledge Organiser (portrait): all fifteen poems at a glance with key methods, five thematic clusters for fast exam selection, methods, contexts, terminology, and the Section C answer method adaptable to any prose text
  • Retrieval Practice Grids (portrait): three interleaved grids covering all fifteen poems plus thematic and comparative recall, with a full answer key
  • Critical Perspectives and Wider Reading pack (portrait): major debates (confessional poetry’s ethics, Heaney’s complicity, form and gender, scepticism versus idealism), a worked escalation in deploying interpretation comparatively, conceptualised essay questions, and independent study tasks
  • Assessment and Mark Guidance (portrait): best-fit band descriptors reflecting the Section C mark scheme and its AO weighting, the separated-versus-integrated comparison lever, an annotated A-Level model answer adaptable to any prose pairing, a two-response comparison, and AO-mapped success criteria

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